Adrian at Sasquatch 2011

The Gorge Amphitheatre, easily the greatest venue I have ever been to in my life.  Nothing even comes close.  There really are no words to describe the beauty of this place, so I’ll just leave this.

I know, right?

This year’s installation of the annual Sasquatch Music Festival marked its ten year anniversary, and my second year of attending.  An extra (half) day was added in celebration.  In classic Sasquatch style, the lineup was heavy heavy heavy on the indie.  As some say, it’s a hipster’s wet dream.  Well, I’m kind of a hipster, so I was down.  Down as FUCK.  The eight “main” headliners were: Death From Above 1979 and Foo Fighters on Day 1 (RAWK), Bright Eyes and Death Cab For Cutie on Day 2 (croon), The Flaming Lips and Modest Mouse on Day 3 (trip balls), and The Decemberists and Wilco on the last Day (+2 indie-cred for seeing both these bands).

Rather than give a day-by-day rundown, I am going to rank the shows that I saw enough of to judge, from worst to best (in my most humble of opinions, of course).  First I’ll start with sets I missed that I would have maybe liked to have seen, maybe. Enjoy, and see you at Sasquatch 2012!

Stuff I Missed That I Kind of Wanted To See:

-          Bob Mould

-          Seattle Rock Orchestra (playing Radiohead)

-          The Radio Department

-          The Globes

-          The Head and The Heart

-          Aloe Blac

-          Sharon Von Etten

-          Wolf Parade

-          Washed Out

-          Iron and Wine =(

-          Sleigh Bells

-          Smith Westerners

-          Talkdemonic

-          Wheedle’s Groove

-          The Drums

-          Tokyo Police Club

-          City and Colour

-          Flogging Molly

-          Gayngs

-          Yeasayer

-          MSTRKRFT

-          Ratatat

-          Wavves

-          Mackelmore and Ray Lewis

-          Best Coast

-          Major Lazer

-          Flying Lotus

-          Rodrigo Y Gabriela

Other Stuff I Caught Some of:

-          The Bronx

-          Mariachi El Bronx

-          S. Carey

-          The Glitch Mob

-          Sam Roberts Band

-          Twin Shadow

-          Chromeo

-          Surfer Blood

Stuff I Saw:

37) Trailer Park Boys, Day 2: 1.5/5

I’m not sure why I thought I would enjoy this.  It was in the comedy tent, but was really not funny at all.  Trailer Park Boys is a show that, if you’re Canadian, you cannot avoid.  It’s kind of funny, they’re all drunk and stoned and poor, but it didn’t work for a live setting at all.  They were just, well drunk and stoned and stupid and it was lame.  You literally could have walked up to any random group of drunken idiots at the festival and observed a funnier conversation.  Just stupid.  I could have seen Wolf Parade instead of this.  I don’t even like Wolf Parade.

36) DJ Anjali and The Incredible Kid, EVERY DAY: 1.5/5, 1.5/5, 1.5/5, 1.5/5

Dear god.  This guy played on EVERY DAY.  At first I was like, yeah man this is ok, but then I realized he only had one fucking song.  He even started an hour early on the last day (before Bonobo).  Like, why?  No I didn’t go see him every day, obviously.  I just caught bits of his lame shit while passing by the dance tent/chilling in the Red Bull building.

35) Matt and Kim, Day 2: 2/5

The music was ok but every time Kim started to sing I just wished I could go back in time and give my mum an abortion.  Honestly, this set was that bad.

34) J. Mascis (Guitarist of Dinosaur Jr.), Day 2: 2/5

I was all “yeah man Dinosaur Jr. is a pretty good band, this set will be sweet.”  No, it wasn’t sweet.  Not sweet at all.  Here’s every song in his set. Shitty distorted three chord progression, nonsensical lyrics and grating vocals, wait for it, wait for it, overdrive pedal guitar solo.  Every song was an excuse for a solo, and he’s not even that great of a guitarist. God damn it was bad.  The only reason I stayed for so long was because the lineup of fries was massive.

33) Noah and The Whale, Day 4: 2.5/5

I used to like First Days of Spring or whatever but then I realized that Caleb was WRONG for once in his musical life.  Boring set.

32) Biffy Clyro, Day 1: 2.5/5

Their set was ok, some of their songs actually rocked pretty hard.  The thing is, the only album of theirs that I’ve heard is the snoozefest that is Only Revolutions so whenever they started to play a song from that I just got pissed off.

31) Pink Martini, Day 2: 3/5

This is where the sets start to get good.  Pink Martini is a weird jazz group with a pretty nerdy front-man.  I’m not big on their style, but it was a pretty fun set.  They were on the mainstage right before I was about to see The Antlers and then The Thermals on smaller stages so I was getting pretty pumped I suppose.  It was a nice midday set.

30) Black Mountain, Day 4: 3/5

Somewhat of a disappointment, I think this might have worked better as an evening set.  But then they’re a pretty small band so that wouldn’t have really made sense.  I had drank enough by that point on Monday that I was ready to rock out 60s style so the set was actually pretty fun, I just think I expected too much.  LET SPIRITS RIDE.

29) Bonobo, Day 4: 3/5

One of my most highly anticipated dance tent acts was somewhat of a disappointment.  Most of his stuff was really good, but he didn’t do a great job of mixing it up enough to hold the audience’s attention for his full 60 minute set.

28) Axis of Awesome, Day 4: 3/5

A really funny comedy group from Australia I think.  They were really funny, but pretty much everyone was there was the “Four-Chord Song” song. They actually got pissed off when everyone cheered at the beginning of it.  Lots of people started filming it and one of them just snaps: “You fucking know there’s a video of this on Youtube, right? Why are you filming, who’s going to watch that?” I took lots of video during the weekend but definitely didn’t during their set.  Thank god, I would have gotten reamed out pretty hard.

27) Beach House, Day 3: 3/5

Beach House is the a great band to play on a hot summer day in a gorgeous outdoor venue.  I’m not crazy about their studio stuff but this was a really good set.

26) Foster The People, Day 4: 3/5

Ok so, this was crazy.  They played on the smallest stage but definitely should have been on the mainstage.  The crowd was HUGE.  Pretty much everyone there (including me) was there to hear ‘Pumped Up Kicks’ and they played it last.  It ruled.  One of the most fun dance parties of the weekend.

25) Death Cab For Cutie, Day 2: 3/5

This is probably my biggest disappointment of the festival, but most of that is my fault.  They were good and I enjoyed probably the first six or so songs but then I started to get bored.  They played a very long set and I don’t like Death Cab For Cutie enough to listen to all their songs that I don’t like to get to the ones I do.  They played Title and Registration and Transatlanicism last but, like an idiot, I left before then.  God damn it.

24) K-os, Day 2: 3.5/5

The first set I saw on Saturday was K-os.  The festival didn’t have very much good hip-hop so this was a really great time.  Everyone likes some K-os, he puts the crab in the bukkit.

23) Cold War Kids, Day 3: 3.5/5

On the album, Cold War Kid’s vocals are what turn me off.  They’re pitchy and annoying.  Live, they’re incredible.  How the hell does that even happen?  Great midday set on Sunday on the main stage.

22) Skrillex, Day 4: 3.5/5

I had to split my time between The Decemberists and Skrillex but it worked out very well. I saw probably 20 minutes of Skrillex’s set and it was pretty much exactly what I thought it would be.  It was super fun, filthy dubstep with lots of drugged out hipsters losing their shit at every bass drop.  My…name….is….Skrillex!  Haha good shit.

21) Guided by Voices, Day 4: 3.5/5

This was like Pavement’s set last year only not bad.  They should have had a later set, I wasn’t really in the mood for it midday, but it was still great.  I’ve only heard Bee Thousand but I like it.  Not 5 worthy like so many of you seem to think, in my opinion, but it’s a great album.

20) Wye Oak, Day 2: 3.5/5

I wasn’t a huge fan of Civilian, but after catching about 20 minutes of Wye Oak’s set I’m definitely going to listen to the album a few more times to see if it grows on me. They were badass live.  I never thought I’d call Wye Oak “badass.”

19) Rival Schools, Day 1: 3.5/5

The first act of the entire festival was Rival Schools, the project of former Quicksand vocalist.  Rival Schools broke up for nine years and just recently reunited to release “Pedals,” an awesome, fun, pop-punk/post-hardcore record.  This was such a fun set, and I was super amped to finally be seeing some live music, of couse.

18) Gold Panda, Day 3: 3.5/5

I saw the first 40 minutes of Gold Panda’s set before I left for The Flaming Lips.  This was one of the best dance-tent acts of the festival in my opinion.  Hearing “You” live was just amazing.  He took a lot of his songs in different directions live, which was cool, but he sometimes got kind of caught up doing the same thing over and over.  He could have, should have, trimmed some of the fat from his set, at least the part I saw.  But he was still incredible.

17) The Decemberists, Day 4: 4/5

I had to split The Decemberist’s set with Skrillex’s on the last day, which was a little unfortunate.  The Decemberists were excellent though.  The King Is Dead clearly isn’t their greatest album, but the many songs that they played from it went excellently with the sunset time slot on the main stage.  It was the last day and I let it all soak in.  They also played many songs from Picaresque, but not many from my personal favourite, The Crane Wife.  I looked at some of their sets before the festival and expected this, so I wasn’t disappointed.  I got to see “The Crane Wife 3” live and it was phenomenal.  It was one of the best songs of the weekend.  Ooh I’m totally making a “Top 25 Songs From Sasquatch 2011” list later.

16) Reggie Watts, Day 3: 4/5

Best comedy act of the festival, easily.  His set went something like this: play a cool, spacey keyboard phrase for a while with some dreamy vocals, then stop and start yelling about crazy random shit.  I’m not going to try to explain any of his jokes because the way he wove them in with the music made it what it was.  It was awesome, I laughed crazy hard. What a guy.

15) Bassnectar, Day 2: 4/5

This was the late night show on Day 2 and it was a ton of fun.  I guess this guy is a dubstep DJ, I’ve never really listened to him before.  I was skeptical, like I was before Deadmau5 last year, but I was blown away, again, like last year. I don’t know why I ever doubted the guy, he spins some pretty tasty beats. With each bass drop, hundreds of glowsticks would erupt from the audience (it HAD to have been co-ordinated; the timing was perfect).  The best part of his set was probably when his music just cut off but he didn’t notice (his headphones were still going).  No lie, the bass actually flooded the system a couple of times.  Like, a wom overload. He would just be standing there with his headphones on, rocking it for like twenty seconds before someone would come on and tell him that no one else can hear what he’s doing.  It was pretty rofl-tastic.  Apparently the same thing happened at Deadmau5 last year but I definitely don’t remember that.  That was a pretty messy day.

14) Against Me!, Day 1: 4/5

A confession: I have only listened to Reinventing Axl Rose. Sue me.  So sure, I’m not a big Against Me! fan.  But I have seen them before (opening for Alexisonfire and Billy Talent) and I know that their live shows slay dwarfs.  Well, their set on the opening day did not disappoint.  Their set was super high energy and passionate, as per usual. Bungy, I wish we had managed to meet up because you must have been losing your shit for this entire show.  Oh the drummer RULES by the way.  The way his face looks when he sings along is creepy as shit, I love it.

13) Local Natives, Day 2: 4/5

So apparently Local Natives are huge. Their vinyl sold out on the first day and the crowd up front for their set (as well as the dance party they were the catalyst for) was massive.  I guess I’m not really surprised because their songs are great and very catchy.  They were also the perfect band to be playing a festival such as this, for even if you weren’t familiar with their music you’d still be able to appreciate how well it went with the clear skies and unrelenting heat.  Beautiful summer weather deserves music to go with it, and Fleet Foxes weren’t there, so Local Natives it was (at least for Day 2). It’s almost like they wrote these songs to be played at The Gorge. I had a fantastic time just relaxing on the hill for their set and just soaking it all in.

12) Wilco, Day 4: 4/5

Wilco had the honour of being the very last band to play on the final day of the festival. I was underwhelmed when the schedule was released and I realized that they were the last band because in 2010 it was fucking Ween.  So…. Anyway, I don’t like Wilco very much, or I didn’t.  I was very impressed with their set, even though I missed the first bit because I was getting my mind blown (by whom, you ask?).  I’ve since revisited Yankee Hotel Foxtrot and have started to like it more. Even though I’m not that familiar with most of their material, I started to get some of the hype while watching them play live. The main guy, whatshisface, he’s really funny. And he’s also a great singer and guitar player.

11) Young The Giant, Day 4: 4/5

I was very excited for Young The Giant, I knew they were going to be a great mid day set.  I was not disappointed.  They played early on the final day, so this was pretty much the one day I committed to getting in before 2:00.  It was hot as hell, there were no clouds in the sky yet, but much like Local Natives, the music suited the weather. Songs like “Cough Sryup” and “My Body” (which they played last) had everyone singing along to their catchy choruses. The vocalist was pretty much perfect as well, in that he sounded almost exactly like he does on their record.

10) Archers of Loaf, Day 3: 4/5

Archers of Loaf are OG you guys. They’re straight up indie rock from the 1990s.  But the thing about Archers of Loaf is that they’re not bad like a lot of first wave indie bands coughpavementcough (-1 indie cred).  These guys just tore it up live.  I would have liked more from White Trash Heroes but they pretty much nailed every song they played.  I’m pretty sure they were broken up at some point but they sound like they’ve been playing together their entire lives. Probably the best part of this show was seeing all the 30-40 year olds looking at me impressed as I sang along to songs from Icky Mettle. We sang together, it was dope. I don’t hunt cougars but she was niceeeeee.

click click click click click

Stick a pin in your backbone!

9) Robyn, Day 2: 4/5

Bright Eyes drove me away from the mainstage and The Glitch Mob weren’t really doing it for us, so my friend and I decided to maybe try out this Robyn chick.  I got her last album, it’s pretty good, but it’s just not really my jam. However I had a hunch that this show would be amazing and I was right. I wouldn’t go this far but several people I talked to said that this was the best set of the festival. If you weren’t singing along during Dancing On My Own then you never ever sing at concerts. This shit was just infectious.  So much fun live.

8) Basia Bulat, Day 3: 4.5/5

Alright, a little story.  One fine evening in December, Adrian decided to get really drunk at a local bar and rub soap all over the mirrors in the bathrooms.  I was not allowed in that bar for 3 months, fair enough. Anyway, about 2 months later, I noticed that Basia Bulat was going to be playing in Victoria (90 minute drive for me).  Here’s the best part: my dad loves this stuff.  He likes Regina Spektor and pretty much all the female vocalists who are similar-ish that I show him.  I’ve never been to a show with my dad and this was gonna be awesome!  We bought tickets, drove down, had a nice dinner, got pumped, and then I didn’t get let in to the venue.  Turns out, I was not just banned from that one bar, I was on BC’s “Bar-Watch Program” (WTF???) and like 70% of the bars in Victoria had me in their system So, no dice. No. Fucking. Dice. (I called the owner of the bar that I originally got kicked out of later and he was super awesome about it and removed the ban, but still). Long story short: lame ass balls.  I was really upset, not so much because of the show but because I was excited to experience that with my dad for the first time.  Anyway, imagine my excitement when I saw she was playing Sasquatch.  tl;dr her set at Sasquatch was awesome.  It was very intimate; there were only about a dozen or so dedicated fans that knew the words.  I met her afterwards, it was sublime.  She’s so modest and adorable and played such an amazing set.  I love Basia Bulat, check her shit out if you haven’t heard it.

7) The Antlers, Day 2: 4.5/5

This was the set that I was most excited for before the festival started.  The conflict with other bands was terrible (The Thermals, Iron and Wine, and Washed Out) but I’m glad I stuck around for all 45 minutes of The Antlers.  Due to their limited time, they focused primarily on their new album Burst Apart. This was fine by me as that album is quickly growing into one of my favourite albums of 2011; I already like it more than 2009’s near-masterpiece Hospice.  They played something like seven songs from Burst Apart.  The highlights were Rolled Together (so so so so so good live) and my personal favourite No Widows (sounds like an underground level from the SNES Donkey Kong games).  They finished their set with the song Two from Hospice, which drew a huge reaction from the crowd.  I met the band afterward and got them to sign my poster and CD of Burst Apart, they’re really great guys.

6) The Flaming Lips, Day 3: 4.5/5

This was my most anticipated show of the entire festival. I couldn’t believe that they had Flying Lotus playing at the same time, but there was no way I was missing a second of The Flaming Lips.  To start, they were 20 minutes late.  This wouldn’t have been a problem if they were the final headliner for the day, but they weren’t. They were set to play from 8:00 to 9:30 meaning that when 9:30 came it was time to gtfo. The final headliner, Modest Mouse, was set to play from 10:00 to 11:30 but it didn’t matter if they went long because there was nobody playing after them. The Flaming Lips were supposed to play the entire album The Soft Bulletin and then, on paper, have time for an encore of sorts, you know, a few popular songs from other albums (Do You Realize?).  But the late start combined with Wayne Coyne’s many nonsensical, albeit humorous ramblings meant that they ran out of time after playing only 10 of the 15 songs from The Soft Bulletin, it was pretty lame.  Now, that said, this was an absolutely incredible concert.  Everything that you have heard about The Flaming Lips live is true. They started with a super bombastic, psychedelic groove and played it for about five minutes while Coyne rolled around in his hamster ball on the crowd. Then they started playing Race For The Prize as Wayne exited his hamster ball and took the mic, and the show was on. There were confetti cannons going off in sync with the music and giant mutilcoloured balloons everywhere.  The background was displaying some of the trippiest shit I’ve ever seen (Teletubbies? Seriously?).  I’ve really grown to like The Soft Bulletin a lot in the last little while.  It’s no Yoshimi Battles The Pink Robots, but it’s an incredible album on its own.  The Flaming Lips played the songs like they had originally recorded the album this year, with passion and meaning.  I was right up close for them and it was magical.  But minus .5 for the restricted set. I am positive that the “full” show (the entire album plus more as advertised) would have been easily in the top 3. 

5) Death From Above 1979, Day 1: 4.5/5

They’re back baby.  They’re fucking back.  What can I really say about this band live?  I mean, it’s like the dirtiest, catchiest, most rocking um, rock, that you’ve ever heard.  The drummer wore all white and the bass player wore all black, they looked sharp.  That’s right, SHARP. They had the crowd going pretty wild, and hipsters don’t exactly do “wild” so that was pretty impressive.  I took two or three good elbows during Black History Month but I probably delivered a couple as well so it’s all good. Man DFA crush skulls, what can I really say?

4) Modest Mouse, Day 3: 4.5/5

I heard that Modest Mouse’s live shows were pretty much a coin toss.  Half the time they’re terrible, half the time they’re incredible.  Well, the Day 3 headliners did not disappoint; we got the good Modest Mouse.  We got the epic, cathartic, gut-wrenching Modest Mouse.  This is the only time I’ve seen them so they’re batting 1.000 (I guess they’ll suck next time I see them?).  Their set was twenty perfectly picked and organized songs. Almost every album was very well represented, and there were very few, if any, “essential” songs missing.  Isaac Brock passionately belted out his signature vocals like it was his last day on Earth.  It took me a little while to realize it, but Modest Mouse’s set is an easy pick for the top five sets of the festival.  I only wish that I went and got into the action instead of sitting on the hill.  I was tired from The Flaming Lips, probably should have had more rum.

3) The Thermals, Day 2: 5/5

I missed the first twenty minutes of The Thermal’s set because I wasn’t about to miss one second of The Antlers (terrible conflict), so I just know I missed an awesome first few songs (I Don’t Believe You!).  But when I got right up into the crowd, and we started getting rowdy, and the band was LOVING it, that was easily the most fun I had all weekend.  My voice was already halfway gone from screaming Foo Fighters lyrics the night before, but yelling “I MIGHT WANT YOU TO KILL!!!!” at the top of my lungs pretty much destroyed me for the rest of the weekend.  I have never had a more positive crowd/band interaction then I experienced with The Thermals on Saturday. If we stopped moving around, they would kind of kick it down a notch.  Then we’d start getting into it again and they would feed off it instantly.  The drummer would be standing and hitting his cymbals literally as hard as he could as we jumped around, bro-pushing each other.  Oh man there was also a couple of forty-something guys right up there. It was obvious that they hadn’t ever been at a show with that kind of…etiquette (or it had at least been a while). They looked like they were having the most fun they’d had in a long time, the looks on their faces were priceless. Another awesome thing about this set was that I ran into my friend Drew in the pit (literally). We spent the next forty minutes rocking out together and it was the perfect way to get re-acquainted (we didn’t drive down together and I had no idea where he was camping).

2) Deerhunter, Day 4: 5/5

I didn’t really like this band very much at all until I started making myself relisten to Halcyon Digest in preparation for Sasquatch.  I still didn’t get the hype but I started to like it more and more.  So I told myself that I would at least see some of their set at Sasquatch; they conflicted with Wilco a bit.  They played from 9:00 to 10:00 on the last day and let me just say, mind blown. My brain was splattered everywhere.  I can’t even describe very well why it was so good.  Much like the Godspeed You! Black Emperor show that I saw earlier this year, there really are no words.  Deerhunter are AMAZING live. I immediately went and bought Halcyon Digest at the vinyl shack that was about to close (which turned out to be white vinyl yessssssss).

1) Foo Fighters, Day 1: 5/5

I almost knew this was coming from the very beginning, and I think you did too. In case you haven’t heard, Dave Grohl is basically a living legend, and his band is pretty ok too. As far as straight up rock and roll in our current musical scene, it doesn’t get much better than Foo Fighters. This set had everything. Forget the songs (I’ll get to those later), the interludes were worth the price of admission alone. For one, Grohl’s banter with the audience was hilariously perfect. There was a guitar duel, an absolutely phenomenal drum solo by Taylor Hawkins, a guest appearance by Bob Mould in Dear Rosemary, and so much more.  But what did they play? They started with Bridge Burning and Rope from their new album.  They played Learn to Fly, My Hero, Times Like These, This is a Call, Monkey Wrench, Hey Johnny Park. It. Was. AWESOME.  They played pretty much every hit they’ve ever had, but also played some other lesser known tracks, a cover, and lots from their new album (I was a bit surprised they didn’t play it in its entirety). They were the perfect headliner. With about 8 songs to go Dave said that they were just gonna skip the whole encore BS because they didn’t want to waste time and instead just wanted to play more songs.  Oh and the last two songs?  Best of You.  Everlong.  My jaw, the floor. One of the best shows I’ve ever seen.

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New Bon Iver Song

The artwork for the upcoming album

Oh man, it's happening.  Bon Iver have released the first track from their upcoming self-titled album.  Words cannot express how excited I am for it.  The song is called Calgary and can be heard at www.boniver.org

Manchester Orchestra Stream New Album

Simple Math, the highly anticipated follow-up to 2009's Album of The Year Mean Everything To Nothing is being streamed by the band ahead of it's scheduled May 10th release date.  Manchester Orchestra have delivered once again.  Simple Math, believe me all, is brilliant.  Listen to the stream at columbiarecords.com/simplemath

And So I Watch You From Afar Stream 'Gangs'

Belfast post-rockers And So I Watch You From Afar have streamed the follow up to their self titled debut ahead of it's scheduled May 2 release date.  The new album Gangs can be heard here

Sarah Fimm Streams 'Near Infinite Possibility'

Sarah Fimm has streamed her album Near Infinite Possibility exclusively at SputnikMusic ahead of it's May 5th release date.  Listen to the new album here.

The Antlers Stream 'Burst Apart'

Brooklyn indie band The Antlers have released a stream of their new album Burst Apart ahead of it's scheduled May 10 release date. It can be heard on NPR here.

And So I Watch You From Afar Debut New Tracks

Belfast post-rockers And So I Watch You From Afar have made their new song 'Gang (Starting Never Stopping)' available for stream exclusively at This Is Fake DIY.  This is the second song that they have released from their upcoming follow up to their massively successful self-titled debut.  The album will be called Gangs and will be officially released on May 2.

Listen to their new song 'Gang (Starting Never Stopping)' here

Listen to the first song they released, 'BEAUTIFUL UNIVERSEMASTERCHAMPION' here

Manchester Orchestra Stream New Song

Indie-rockers Manchester Orchestra have posted a song from their upcoming album Simple Math to soundcloud. The song is called 'Virgin' and, having had the album for about a week, I can safely say it is my favourite track from the album, possibly my favourite song they've ever done.  It's epic and majestic but emotionally striking and sincere.  Listen to it here.  Fair warning: you'll need a change of underwear handy.

New Aesop Rock Material

Well, he hasn't announced a solo follow-up to 2007's None Shall Pass, but fans of New York rapper Aesop Rock have reason to be excited nonetheless.  He has announced a collaboration with Rob Sonic and DJ Big Whiz, named Hail Mary Mallon. The newly formed group have released a video for 'Smock' which can be viewed below.  'Smock' will be featured on Hail Mary Mallon's debut Are You Gonna Eat That?, slated for released on June 7th.  Here is the tracklisting:


1. Church Pants
2. Garfield
3. Grubstake
4. Meter Feeder
5. Smock
6. The Poconos
7. Breakdance Beach
8. Table Talk
9. Mailbox Baseball
10. Holy Driver
11. Knievel
12. Plagues and Bacon

Laura Stevenson and The Cans - Sit Resist

Laura Stevenson is one of the keyboardists of DIY punkers Bomb The Music Industry!, but there's much more to her than that. Whereas BTMI! tend to take a more aggressive punk/ska attitude towards their music, Laura Stevenson chooses to express her ideas through the medium of indie-folk. She created her first solo album in 2008. It was titled simply A Record. The year after that, she put together a short collection of songs and released them as the Holy Ghost! EP. Not that A Record was bad, far from it, but something about Holy Ghost! made the music media sit up and notice Laura in a way they hadn't before. Now here we are in 2011 and Laura Stevenson and The Cans plan to release their highly awaited album Sit Resist on April 26th. If you've never heard Laura Stevenson before, even if you don't really like Bomb The Music Industry! (I don't really....) you should still give her music a shot. Simply put, it's phenomenal.

Download 'Sit Resist' from mediafire here

Swarms - Old Raves End

Are you in the mood for something soothing and relaxing? Maybe something to put on as you drift away into your thoughts or as you fall asleep? Well, I've got something for you. Check out this three member dubstep/ambient/whatever group from the UK, Swarms. Old Raves End was released on March 28th 2011 by LoDubs records in Bristol and is chill as fuck. Move over Eluvium, I think I have a new bedtime band.

Download the album from fileserve here

Bon Iver New Album Details

The album cover for 'Bon Iver,' to be released June 17, 2011

In 2008, Bon Iver took the world by storm when they released the monumental For Emma, Forever Ago to massive critical acclaim. Justin Vernon became the unofficial king of the indie world overnight as his band's debut album quickly became a favourite of every 20-something with a break-up fresh in their memories.  He left the world wanting so much more.  There was the Blood Bank EP, released in 2009, but the world has been patiently waiting for Bon Iver's full-length follow-up.  Well, the date has been announced.  Bon Iver will be released June 17th.  And let me tempt you with this, a 51-second clip from the new album.  Simply put, it's gorgeous. Listen to it here. And how about that album artwork? Phenomenal, no? Call me crazy, but I think Justin Vernon is about to take the world by storm.  Again.

It's time to play the waiting game folks.  Come join me, it's going to be agonizing. Here's the tracklist for the new album:

1. Perth
2. Minnesota, WI
3. Holocene
4. Towers
5. Michicant
6. Hinnom, TX
7. Wash.
8. Calgary
9. Lisbon, OH
10. Beth/Rest

Dharohar Project, Laura Marling and Mumford & Sons

Oh Record Store Day, how I love you so.  Once a year in April, record stores across the world are treated to special-edition pressings of obscure, rare, or otherwise unavailable vinyls. It's somewhat of a 'thank-you' to the consumer for the recent revival in record sales, or so I've gathered.  Either way, I picked up a real gem this year, a limited edition 10" pressing of a very interesting collaboration. This EP was the result of a tour through India in December of 2009 in which London indie stars Laura Marling and Mumford and Sons were heavily exposed to the Indian folk music scene.  They befriended the nine-member Dharohar Project and wrote and recorded four songs with them.  The result is a fascinating mix of drastically different musical styles.  Whether you are a fan of Indian music or indie-pop, this EP is worth a listen. Whether you like it or not, it's nice to see artists leaving their comfort zones to experiment with different sounds.  

Download the album from mediafire here

Manchester Orchestra Release Music Video for 'Simple Math'

Words can do no justice to this music video, just watch:

The song is called Simple Math from the upcoming album of the same name. Manchester Orchestra will release their new album on May 10th, 2011.  I know it's early, and I know I've only heard two songs from the album, but all signs point to this being the album of the year (like Mean Everything to Nothing was in 2009. Sorry, Animal Collective).

New Touché Amore Song

The album cover for Parting The Sea Between Rightness and Me

Los Angeles hardcore band Touché Amore have released a song from their upcoming album Parting The Sea Between Rightness and Me (to be released on June 7).  The song is called "Tilde" and can be heard at http://soundcloud.com/deathwishinc/touche-amore-tilde.


Needless to say, I'm pretty excited for their upcoming album.  The song is a brisk 90 seconds long and is great, but, of course, it leaves me wanting much much more.  I can hardly wait until the album drops in June (or leaks in May, more likely).

The Weeknd - House Of Balloons

OK, so I'm late to officially jump on this massive hype-train (which is actually growing at an alarming rate, this kid is going to be HUGE).  But, I've been jamming The Weeknd for a solid month now, a friend of mine knows a guy who knows this guy.  So, I'm pretty much famous I guess.  Anyway, assuming you live under a rock and haven't heard this mixtape yet, head over to his website http://the-weeknd.com/ where you can download it for free.  It's deliciously chilled-out hip-hop with an R & B bent from a young kid in Toronto.  Next time you find yourself not knowing what to listen to, just throw on this mixtape and let its jaw-dropping production and soothing melodies wash over you.

2562 - Fever

I'm new with this whole "dubstep" thing so bear with me while I make an ass of myself, but this is one of the better dubstep albums I've heard in a while.  2562 is the recording name of Dave Huismans and Fever is the name of his new album which was released on April 4th, 2011. 2562 falls on the more chilled-out side of the genre, drawing comparisons to FaltyDL and Peverelist.  But I'm gonna stop pretending like I know what I'm talking about and instead direct you to a review written by someone who knows their shit.  Read about Fever at sputnikmusic. Trust me, Deviant (the reviewer at sputnik) knows his shit.

Download Fever here

Review for Scrublife Mixtape by Wax

Many of you have likely heard of Wax; he has been building up his name for the past three years or so by posting his videos of himself rapping, sometimes with his twin brother Herbal T, on Youtube. He has just recently been signed to Def Jam records, which is actually a pretty big deal for someone who got famous in the manner that he did. His new mixtape was officially released on March 15, 2011. It features many of his well known tracks, including New Crack, which has an intro that references his popularity on Youtube: "We just reached a million views, about to drink a billion brews." Most of the songs on the mixtape were produced by EOM, his colleague and long time friend. The two had previously collaborated on 2008’s Liquid Courage, self released by Wax and EOM. 


'Scrublife' is really a fitting title to this collection of songs. In the age of the internet becoming famous via Youtube is no longer that unheard of, but it’s still a little bit odd. For the most part, Wax is just a regular 20-something trying to live a good life in California. His raps are less about bling and swag and more about bike lanes and splurging on Captian Morgan’s spiced rum. Listening to lines like “Oh yah, oh my my, I don’t give a fuck about a DUI, you can take away my license but you can’t take away my pride, Oh yah oh my my, Imma keep drinkin’ till the day I die, two wheels is the way I ride” from Two Wheels, it’s nearly impossible to not relate, or at least empathize, with the everyday struggles of his "scrub life."


Wax’s rapping on the mixtape varies in quality, but when it's good, it's incredible. The standout song is definitely 2010 Til Infinity. On this track, Wax delivers his best vocal performance behind an incredibly subtle, yet gripping beat which is taken from a song by Oakland hip-hop group Souls of Mischeif called 93 Til Infinity. The chilled-out piano-based beat rocks by subtly in the background as Wax's clever lines take centre-stage. The track opens with "This is not for the less astute guppies / go back to watching videos of cute puppies / or little babies dancing to 'Single Ladies' / whatever stimulation the simple taste of your brain needs" and I could go on, but I would probably just end up quoting the whole thing. Every line is clever and well-executed and the general 'theme' of the song is how he's started to take charge of his own life. It's uplifting and very easy to relate to, like much of the mixtape. That's the thing that's so awesome about this release, Wax raps about stuff that regular people think about: spending too much money on beer, hating his shitty day job, staring at himself in the mirror and telling himself this he's going to get his life together, and so on. He makes me feel like I could be a rapper (except there's no fucking way I could be a rapper at all, let alone be anywhere near to as good as he is).


Other clear standouts include the first two tracks, Red and FAIL ("you're an F to the A to the I to the L"), the fun Dispensary Girl, which is a track about a woman he meets at his local medical marijuana dispensary, and the penultimate track, Wax Goes Bananas on Shade 45, where wax does a "writ-style" live on radio. (He admits it's not technically a freestyle, so the DJ compromises.)


Some of the songs are admittedly of much lesser quality (Everything and Limousine come to mind), but to be fair, this is a mixtape. It's really just an amalgamation of all the songs he posted to Youtube over the past three years or so.  Also, the weaker tracks are not necessarily bad at all. They're just not on the same level as some of the monster tracks on the album. The choruses on the weaker tracks tend to be what turns me off for the most part, but it's just because they aren't as gripping as the perfectly simple beat and genius rapping found on the aforementioned 2010 Til Infinity (fuck I love that song). What I'm trying to say is, every song is still at fun as hell and full of hooks. And no matter what the tone of the individual song, Wax is always spitting some pretty funny and/or accessible lyrics. He gets pretty serious sometimes like on Music and Liquor: 


                       "Addictive personality, ironically, I write my realest shit when I escape from reality. I drink to forget then I write to remember, its been like that since my high-school tenure. I can't imagine if I never had this rapping hobby, I'd rarely be happy probably. But I knew a lot of people when I lived back in Maryland; they had it way worse getting addicted to heroin. So I shouldn't be too pissed, I'm just getting sick of writing drunken self-help to do lists that remain unchecked cause I never follow through, and when you move old habits follow you."


But it is most notable on Mary. This is a song told from the perspective of Mary, a young girl who has never met her dad. Her mother's boyfriend moves in after a while and things start off OK. As the song progresses though, the new house guest reveals himself to be an abusive alcoholic. He starts sexually assaulting Mary (this is never actually explicitly stated, which is clever, because which little kid knows what 'sexually assaulted' or 'raped' even means?) and one night Mary gets fed up and hides a knife under her pillow. When he comes in that night to do his thing, she goes crazy on him, justifiably so, and just absolutely murders the FUCK out of him. It's actually pretty brutal.

And then there's weird, funny, totally not serious stuff like the guest appearances by Dale Firebird. I'll try not to give away too much here but Dale Firebird is a 'hick' who "only drinks American beer" and has a guest track. He also appears for several 10-20 second skits throughout where he lets us all know that the mixtape is "fucking god awful." Simply put, it's hilarious.

This is a mixtape with a lot of content and I could go on; I've really only mentioned about half of the tracks that I feel are notable. There is a lot to say about the 17 tracks. Some of them are phenomenal, most of them are great, and a few are just passable. Overall, sounds like a pretty good album, doesn't it? And even if you don't like some of the songs, well, cool it. It's a mixtape and this guy just got signed. With the continued help of EOM, Herbal T, and Dumbfounded, and the financial backing of a big music label, Wax has the potential to really take the mainstream hip-hop world by storm with a strong full-length LP.


This mixtape is worth checking out, even if you only end up liking a couple tracks.  If you need some convincing, here's my favourite song from the album, the Youtube version. That's how he "got big" after all.  Enjoy:

Final Score: 8 / 10

Recommended Tracks:
- Red
- Dispensary Girl
- 2010 Til Infinity
- Mary
- New Crack
- Wax Goes Bananas on Shade 45


Stream or download the album at his bandcamp http://waxdotcom.bandcamp.com/
Also, check out his website for more information, show dates, photos, T-shirts, all that good stuff http://www.waxdotcom.com/

Foo Fighters - Wasting Light

The Foo Fighters are my favourite response to anyone who tries to tell me that there just simply isn't any good rock music being released today.  Their new album, titled Wasting Light, is set to be released on April 11th, but you can stream it now, for free, at this link.  In my personal opinion, it is their best album yet, and they've been releasing music since the mid-90s. 

White Limo was the first single, and it is my personal vote for best song on the album. The music video is shot to make it look like a tacky mid-80s home movie, and it's perfect.  It also features Lemmy from Motorhead.  Watch it here:

The Mountain Goats - All Eternals Deck

Surprise surprise, the new Mountain Goats album rules incredibly hard.  All Eternals Deck was officially released on March 29 on Merge Records.  You can stream the album in full (with only a few annoying but short commercials) at NRP here

Download All Eternals Deck from Mediafire

Warpaint live @ The Biltmore Cabaret, Vancouver B.C. March 19, 2011

As I stood in the lineup outside the Biltmore Cabaret in one of the dirtier areas of Vancouver, I casually conversed with other Warpaint fans about music and skanky bar chicks.  The curly haired lanky guy next to me took a drag from his cigarette while some meatheads a short distance ahead of us shotgunned some Luckys (you know you’re in BC when…).  It felt like a pretty casual night out.  Little did I know that I was about to experience one of the best live shows of my young life.

PVT

Sharing the bill with Warpaint were New York’s Family Band, and Australia’s PVT.  Family Band kicked the show off with some droning, hypnotic indie jams.  The music was great, but the lead singer’s demeanor was extremely off-putting.  To be blunt, she looked like a heroin junkie, and acted like one too.  When she spoke to the crowd, it was clear that she wished she was elsewhere, possibly scoring some dope.  Near the end of their set, the sound guy’s voice came on and told them they were out of time.  “Oh,” the lead singer blandly exclaimed, “we only have one more song, it’s like a minute.”  I kind of wish that they had obeyed the sound guy, because what followed could barely be considered a song.  The crowd anxiously shuffled their feet as the boring front woman clicked together two drum sticks and lead guitarist set down his axe and circulated around the club.  It was weird, and not a very good ending to their set.

PVT

Next was PVT who played an interesting hybrid of indie-rock and dance music.  Unlike Family Band, PVT actually looked like they were happy to be playing some music for us all, and their set was all the better for it.  They worked their way through a 30-minute set filled with catchy and danceable tunes that the whole crowd seemed to enjoy.

                                                           

                                    

                                                                                              

Marry me

As PVT finished and began taking apart their gear someone closed a set of curtains to separate the audience from the stage where Warpaint where presumably setting up their gear.  The Biltmore Cabaret is a nice little venue, but it’s no Royal Albert Hall.  The stage is about two feet off the ground and the “V.I.P. area” has no door and is on the way to the men’s bathroom.  But somehow, when the curtains were drawn, there was a palpable sense of big-concert anticipation in the air.  I elbowed my way up to the front in the anonymity of the darkness and peered through the crack in the curtains.  And that’s when I spotted my future wife, the drummer from Warpaint, Stella Mozgawa.  There she was, casually chatting with her bandmates, sipping on a bottle of domestic beer, and checking the volume levels of her snare drum.  As I gawked at her, one of the roadies noticed me and pulled the curtains further together, eliminating my view.

Emily Kokal

About ten minutes later (though it felt more like hours) the curtains dropped and the crowd exploded into cheers and applause as Warpaint took the stage.  Guitarist Emily Kokal strapped on her distinctive white Fender Jaguar and began playing the opening notes of Set Your Arms Down, the lead track from their 2010 debut LP The Fool.  Much to my surprise (I must have underestimated their popularity) the crowd sang every word with the band.  I jumped at the opportunity to share my horrendous voice with the room and as the first verse was coming to an end I was belting it out loudly and horribly: Out on the back porch/ you say tonight/ we bring our pocket/ our pocket knives.

Lindberg and Mozgawa tearing the place down

Mozgawa and guitarist Theresa Wayman then switched places (Wayman was on the drum kit while the love of my life was playing guitar) and almost immediately Mozgawa’s eyes lit up with a sense of passion that communicated how much she loves to play the drums.  As a fellow musician and drummer it was really nice to see someone get that much joy out of their instrument, but more importantly, it was great to see that their long North-American tour wasn’t wearing on them and affecting their performance.  Much to my pleasure, they continued on with their debut LP with their next song.  A delicate snare beat slowly built up as they began playing Warpaint, one of my personal favourites if only for the explosive drum beat.  Just watch this video; the performance was truly fantastic and just watch how Mozgawa just seems so, so….into it.

Following pretty much every song, after the uproar of the crowd had died down, the band spoke to the audience in a very engaging way.  They were charming, witty, and extremely modest; everything about them was likeable.  Sometimes at concerts or shows you find yourself ignoring the performer’s narcissistic personality traits, but I didn’t have to for Warpaint.  They came across as a group of friends having a great time playing together.  Whether cracking jokes about naming their guitars or conversing about the gorgeous Vancouver scenery, the band was engaging. 

With only one LP and one EP released, Warpaint were able to play almost all of their songs.  The crowd favourites were probably Undertow and Bees (with good reason, Undertow was my favourite performance of the night), both from their LP. But the audience still grooved along to lesser known cuts from their debut EP, 2010’s Exquisite Corpse, such as Stars and Elephants.  (Just a little side note here: the drugged out hippie beside me was losing his mind during Elephants. "THIS IS THE BEST SONG EVER!!!")

Again, please marry me

While the music is generally intended to be the focus of a concert, I couldn’t help but be impressed with the genuine personalities that the band displayed.  They exuded confidence and excitement.  There were good times in the air and the crowd loved every minute of it.  And of course, if I hadn’t made it clear already, the show was phenomenal. The gang vocals were harmonized beautifully and on a musical level, each song was executed with the perfect mix of precision and personality.  Just when I thought they were approaching a point in one of their songs that they couldn’t possibly replicate without the use of studio wizardry, one of two things happened: they either a) proved me completely wrong or b) took it in a unique direction that was just as good as, if not better than, the sections on the studio album.

After their final encore ended they introduced us to their crew and told us how gracious they were for the warm reception.  Bassist Jenny Lee Lindberg left us with a prayer for the victims of the recent earthquake in Japan. 

When it was all over, as I retrieved my recently purchased Warpaint records and T-shirt from the table where I had stashed them, I couldn’t help but grin from ear to ear; I had just seen one of the best concerts I could ever hope to see.

Who knew chicks could rock out?